Welcome to Try This!—a space for exploring old ideas that still have something to teach us. This year, I’m expanding Try This! with monthly articles about partimenti—the fascinating 18th-century teaching tradition that challenges us to rethink music history and reconsider how we teach and learn music today. Lately, I’ve been reading and thinking about Joseph […]

Once upon a time, in the Kingdom of Naples, a land of sunlit streets and lively piazzas, musicians created an ingenious way to learn, teach, and create music. This method was not only efficient, and effective but—perhaps most importantly—fun! Just like kids build castles with Lego bricks, mixing shapes and colours to build an unlimited

Once Upon a Time, in the Kingdom of NaplesRead More »

Welcome to Try This! Your weekly exploration of musical patterns and partimenti rules. Let’s Play! This week we are going to play with two basslines using the ① ④ ⑤ ①. Here’s the process both of these basslines: Bassline 1 Bassline 2 Share This! If you know anyone who you might like Try This!, please

Let’s play with the ① ④ ⑤ ①?Read More »

Welcome to Try This! Your weekly exploration of musical patterns and partimenti rules. This week we’re going to look at how two master composers—Arcangelo Corelli (1653 – 1713) and Beethoven (1770 – 1827)—realized these patterns in their compositions. Here is last weeks post introducing the ① ④ ⑤ ①. Romantic Bassline Project Is there a

Beethoven and Corelli and the ① ④ ⑤ ①?Read More »

Welcome to Try This! Your weekly exploration of musical patterns and partimenti rules. Romantic Bassline Project Is there a harmonic moment that you love in Chopin, either of the Schumann’s Brahms, or Mahler. I’m in the process of analyzing all sorts of romantic period repertoire and creating basslines from that repertoire to explore, improvise with,

The Rule of the Octave ① ④ ⑤ ①Read More »

This week we are going to work on the third phrase starting in bar 10. This is the last phrase we’ll look at here because the last phrase is the same as the first. So this week we will wrap up our work with Zingarelli’s first partimento. Here’s the whole partimento, make sure to play

Part 3 of 3: Zingarelli’s Libro Primo, Partimento No 1Read More »

Partimenti Here is my completed realization of Zingerelli’s first partimento. I kept this realization really simple, but it’s still tuneful and develops the opening idea. You’ll notice a couple things: Try It! and Get a Free Partimenti Lesson You’ve seen my realization, try one yourself. Grab a sheet of manuscript paper or copy the bassline

My Realization of Zingarelli’s Libro Primo, Partimento No 1Read More »